A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

As Gillespie (Carroll O'Connor) and Harriet prepare to leave for their honeymoon, Forbes (Carl Weathers) clashes with a charismatic cult leader (Peter Fonda) who has arrived in Sparta.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

As Gillespie (Carroll O'Connor) and Harriet prepare to leave for their honeymoon, Forbes (Carl Weathers) clashes with a charismatic cult leader (Peter Fonda) who has arrived in Sparta.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

Rick (Gregg Thomsen) and Melissa (Cheryl Kay) are two young lovebirds struggling against the crime and poverty of the Los Angeles ghetto they inhabit. Their hopes of ever leaving are destroyed when one of Rick's relatives is killed in a drive-by shooting. Seeking to avenge the vicious murder, Rick rejoins his former gang, but gets himself arrested. During his absence, Melissa becomes involved with drug dealers and is addicted to crack. Rick then sets out on a difficult mission to save her.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

Rick (Gregg Thomsen) and Melissa (Cheryl Kay) are two young lovebirds struggling against the crime and poverty of the Los Angeles ghetto they inhabit. Their hopes of ever leaving are destroyed when one of Rick's relatives is killed in a drive-by shooting. Seeking to avenge the vicious murder, Rick rejoins his former gang, but gets himself arrested. During his absence, Melissa becomes involved with drug dealers and is addicted to crack. Rick then sets out on a difficult mission to save her.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

Rick (Gregg Thomsen) and Melissa (Cheryl Kay) are two young lovebirds struggling against the crime and poverty of the Los Angeles ghetto they inhabit. Their hopes of ever leaving are destroyed when one of Rick's relatives is killed in a drive-by shooting. Seeking to avenge the vicious murder, Rick rejoins his former gang, but gets himself arrested. During his absence, Melissa becomes involved with drug dealers and is addicted to crack. Rick then sets out on a difficult mission to save her.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Two Marine veterans reunite 15 years later for revenge on the man who betrayed them in Vietnam.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Two Marine veterans reunite 15 years later for revenge on the man who betrayed them in Vietnam.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Two Marine veterans reunite 15 years later for revenge on the man who betrayed them in Vietnam.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Based on the life of tap-dancing legend Bill Robinson -- also known as Mr. Bojangles -- the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Based on the life of tap-dancing legend Bill Robinson -- also known as Mr. Bojangles -- the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize -- a pimp called Gator (Paul Harris) -- is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses -- and photographs -- an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize -- a pimp called Gator (Paul Harris) -- is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses -- and photographs -- an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize -- a pimp called Gator (Paul Harris) -- is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses -- and photographs -- an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.