A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Examining stories of the paranormal from across India.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Examining stories of the paranormal from across India.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Examining stories of the paranormal from across India.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Examining stories of the paranormal from across India.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Examining stories of the paranormal from across India.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

A 16th century marriage of convenience gives birth to true love.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Examining stories of the paranormal from across India.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Examining stories of the paranormal from across India.

Examining stories of the paranormal from across India.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Examining stories of the paranormal from across India.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

This is a tale of unflinching duty and love, and a triumph of good over evil.

This is a tale of unflinching duty and love, and a triumph of good over evil.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

This is a tale of unflinching duty and love, and a triumph of good over evil.

This is a tale of unflinching duty and love, and a triumph of good over evil.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

This is a tale of unflinching duty and love, and a triumph of good over evil.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

This is a tale of unflinching duty and love, and a triumph of good over evil.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

This is a tale of unflinching duty and love, and a triumph of good over evil.

This is a tale of unflinching duty and love, and a triumph of good over evil.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

This is a tale of unflinching duty and love, and a triumph of good over evil.

This is a tale of unflinching duty and love, and a triumph of good over evil.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

This is a tale of unflinching duty and love, and a triumph of good over evil.

This is a tale of unflinching duty and love, and a triumph of good over evil.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

A 16th century marriage of convenience gives birth to true love.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Jayshribai, an aging devadasi, does not want her beautiful daughter Kashi to follow her footsteps into a tradition. But Bappaji, the head priest, who controls the entire village is not too pleased with Kashi's decision.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Flutist Mohan sinks into despair after his daughter Gungun blames him for her mother's death. However, an incident that involves his longtime admirer, Radha, sparks hope back into his life.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Before dying, Raghuveer tells his daughters, Preeta and Shrishti, about their sisters, Pragya and Bulbul, who stay with Sarla in Mumbai. Later, Preeta and Shrishti come to Mumbai to look for Sarla.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.

Sarla Arora, who runs a marriage hall, hopes to see her two daughters, who are poles apart, happily married.