Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about - black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about - black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) - the man he has long been convinced is the murderer, but never had enough evidence to arrest - intending to force a confession.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) - the man he has long been convinced is the murderer, but never had enough evidence to arrest - intending to force a confession.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) - the man he has long been convinced is the murderer, but never had enough evidence to arrest - intending to force a confession.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

Based on the life of tap-dancing legend Bill Robinson - also known as Mr. Bojangles - the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

Based on the life of tap-dancing legend Bill Robinson - also known as Mr. Bojangles - the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize - a pimp called Gator (Paul Harris) - is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize - a pimp called Gator (Paul Harris) - is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize - a pimp called Gator (Paul Harris) - is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

During the civil rights movement of the '50s and '60s in Mississippi, Medgar Evers (Howard E. Rollins Jr.) rose from being an insurance agent to become one of the most integral activists of the era. From boycotting white merchants in the mid '50s to being a key figure in desegregating the University of Mississippi in 1962, Evers met success, and with it many enemies. When racists swarm his house, his life and the lives of his wife (Irene Cara) and children are threatened.

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

Two men (Robert Urich, Carl Weathers) of different races, who loathe each other, escape from a chain gang shackled together.

During the civil rights movement of the '50s and '60s in Mississippi, Medgar Evers (Howard E. Rollins Jr.) rose from being an insurance agent to become one of the most integral activists of the era. From boycotting white merchants in the mid '50s to being a key figure in desegregating the University of Mississippi in 1962, Evers met success, and with it many enemies. When racists swarm his house, his life and the lives of his wife (Irene Cara) and children are threatened.

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

Two men (Robert Urich, Carl Weathers) of different races, who loathe each other, escape from a chain gang shackled together.

During the civil rights movement of the '50s and '60s in Mississippi, Medgar Evers (Howard E. Rollins Jr.) rose from being an insurance agent to become one of the most integral activists of the era. From boycotting white merchants in the mid '50s to being a key figure in desegregating the University of Mississippi in 1962, Evers met success, and with it many enemies. When racists swarm his house, his life and the lives of his wife (Irene Cara) and children are threatened.

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A rich Turkish bar owner (Sonia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift - a hurried exodus of refugees from Cuba going to America - an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

A rich Turkish bar owner (Sonia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift - a hurried exodus of refugees from Cuba going to America - an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

A rich Turkish bar owner (Sonia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift - a hurried exodus of refugees from Cuba going to America - an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Rick (Gregg Thomsen) and Melissa (Cheryl Kay) are two young lovebirds struggling against the crime and poverty of the Los Angeles ghetto they inhabit. Their hopes of ever leaving are destroyed when one of Rick's relatives is killed in a drive-by shooting. Seeking to avenge the vicious murder, Rick rejoins his former gang, but gets himself arrested. During his absence, Melissa becomes involved with drug dealers and is addicted to crack. Rick then sets out on a difficult mission to save her.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Rick (Gregg Thomsen) and Melissa (Cheryl Kay) are two young lovebirds struggling against the crime and poverty of the Los Angeles ghetto they inhabit. Their hopes of ever leaving are destroyed when one of Rick's relatives is killed in a drive-by shooting. Seeking to avenge the vicious murder, Rick rejoins his former gang, but gets himself arrested. During his absence, Melissa becomes involved with drug dealers and is addicted to crack. Rick then sets out on a difficult mission to save her.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Rick (Gregg Thomsen) and Melissa (Cheryl Kay) are two young lovebirds struggling against the crime and poverty of the Los Angeles ghetto they inhabit. Their hopes of ever leaving are destroyed when one of Rick's relatives is killed in a drive-by shooting. Seeking to avenge the vicious murder, Rick rejoins his former gang, but gets himself arrested. During his absence, Melissa becomes involved with drug dealers and is addicted to crack. Rick then sets out on a difficult mission to save her.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

The court-ordered desegregation of an inner-city Los Angeles high school brings 60 white students into the predominantly African-American student body. African-American teacher Quincy Davis (Calvin Lockhart) reaches out to all his students, enticing Lerone (DeWayne Jessie) to advance his reading skills with racy paperbacks, protecting new student Douglas (Jeff Bridges) after a race-motivated beating and trying to quell a potential student strike led by the militant J.T. (James A. Watson Jr.).

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

The court-ordered desegregation of an inner-city Los Angeles high school brings 60 white students into the predominantly African-American student body. African-American teacher Quincy Davis (Calvin Lockhart) reaches out to all his students, enticing Lerone (DeWayne Jessie) to advance his reading skills with racy paperbacks, protecting new student Douglas (Jeff Bridges) after a race-motivated beating and trying to quell a potential student strike led by the militant J.T. (James A. Watson Jr.).

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

The court-ordered desegregation of an inner-city Los Angeles high school brings 60 white students into the predominantly African-American student body. African-American teacher Quincy Davis (Calvin Lockhart) reaches out to all his students, enticing Lerone (DeWayne Jessie) to advance his reading skills with racy paperbacks, protecting new student Douglas (Jeff Bridges) after a race-motivated beating and trying to quell a potential student strike led by the militant J.T. (James A. Watson Jr.).

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

Rival Texas chemical magnates (Edward Albert, Joe Don Baker) hold Dallas hostage over nerve gas stolen from the Soviets.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

Rival Texas chemical magnates (Edward Albert, Joe Don Baker) hold Dallas hostage over nerve gas stolen from the Soviets.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

Rival Texas chemical magnates (Edward Albert, Joe Don Baker) hold Dallas hostage over nerve gas stolen from the Soviets.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).