After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses -- and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, D'Angelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with D'Angelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses -- and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, D'Angelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with D'Angelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in the 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in the 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in the 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in the 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in the 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

After losing his police officer lover, Christian drag queen Holiday Heart (Ving Rhames) meets 12-year-old Niki (Jessika Quynn Reynolds) and her drug-addicted mother, Wanda (Alfre Woodard). Heart finds relief from heartache and a renewed sense of purpose when he steps in as a father figure to Niki and welcomes the two women into his life. But when Wanda becomes romantically involved with her drug dealer, Silas, it may endanger Niki and threaten to destroy the makeshift family.

After losing his police officer lover, Christian drag queen Holiday Heart (Ving Rhames) meets 12-year-old Niki (Jessika Quynn Reynolds) and her drug-addicted mother, Wanda (Alfre Woodard). Heart finds relief from heartache and a renewed sense of purpose when he steps in as a father figure to Niki and welcomes the two women into his life. But when Wanda becomes romantically involved with her drug dealer, Silas, it may endanger Niki and threaten to destroy the makeshift family.

In 1982, Cuban political activist Nestor (Jimmy Smits) is ripped from the arms of his loving wife, Isabel (Greta Scacchi), and thrown in jail for dissidence. Frightened, Isabel flees with their daughter by sea to America. Off the coast of Florida, she meets Sam (Vincent D'Onofrio), a kind fisherman who sees them safely to Miami's Little Havana. Eight years later, Isabel is happy in the arms of Sam -- until a recently freed Nestor reaches Miami in hope of a romantic reunion.

In 1982, Cuban political activist Nestor (Jimmy Smits) is ripped from the arms of his loving wife, Isabel (Greta Scacchi), and thrown in jail for dissidence. Frightened, Isabel flees with their daughter by sea to America. Off the coast of Florida, she meets Sam (Vincent D'Onofrio), a kind fisherman who sees them safely to Miami's Little Havana. Eight years later, Isabel is happy in the arms of Sam -- until a recently freed Nestor reaches Miami in hope of a romantic reunion.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

To save on expenses, advertising man Roddy Peter (Robin Phillips) takes in Jamaican lawyer Andrew (Hal Frederick) as a roommate, and the two men become friends. Andrew and his girlfriend, who is also black, are determined to break into British high society, while Roddy drifts through an unsatisfactory relationship with Ethne Burrows (Hilary Heath). As Roddy pursues a new romance with Jane (Judy Greer), constant racism drives Andrew and his girlfriend to plan a return to Jamaica.

To save on expenses, advertising man Roddy Peter (Robin Phillips) takes in Jamaican lawyer Andrew (Hal Frederick) as a roommate, and the two men become friends. Andrew and his girlfriend, who is also black, are determined to break into British high society, while Roddy drifts through an unsatisfactory relationship with Ethne Burrows (Hilary Heath). As Roddy pursues a new romance with Jane (Judy Greer), constant racism drives Andrew and his girlfriend to plan a return to Jamaica.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

After losing his police officer lover, Christian drag queen Holiday Heart (Ving Rhames) meets 12-year-old Niki (Jessika Quynn Reynolds) and her drug-addicted mother, Wanda (Alfre Woodard). Heart finds relief from heartache and a renewed sense of purpose when he steps in as a father figure to Niki and welcomes the two women into his life. But when Wanda becomes romantically involved with her drug dealer, Silas, it may endanger Niki and threaten to destroy the makeshift family.

After losing his police officer lover, Christian drag queen Holiday Heart (Ving Rhames) meets 12-year-old Niki (Jessika Quynn Reynolds) and her drug-addicted mother, Wanda (Alfre Woodard). Heart finds relief from heartache and a renewed sense of purpose when he steps in as a father figure to Niki and welcomes the two women into his life. But when Wanda becomes romantically involved with her drug dealer, Silas, it may endanger Niki and threaten to destroy the makeshift family.

In 1982, Cuban political activist Nestor (Jimmy Smits) is ripped from the arms of his loving wife, Isabel (Greta Scacchi), and thrown in jail for dissidence. Frightened, Isabel flees with their daughter by sea to America. Off the coast of Florida, she meets Sam (Vincent D'Onofrio), a kind fisherman who sees them safely to Miami's Little Havana. Eight years later, Isabel is happy in the arms of Sam -- until a recently freed Nestor reaches Miami in hope of a romantic reunion.

In 1982, Cuban political activist Nestor (Jimmy Smits) is ripped from the arms of his loving wife, Isabel (Greta Scacchi), and thrown in jail for dissidence. Frightened, Isabel flees with their daughter by sea to America. Off the coast of Florida, she meets Sam (Vincent D'Onofrio), a kind fisherman who sees them safely to Miami's Little Havana. Eight years later, Isabel is happy in the arms of Sam -- until a recently freed Nestor reaches Miami in hope of a romantic reunion.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

To save on expenses, advertising man Roddy Peter (Robin Phillips) takes in Jamaican lawyer Andrew (Hal Frederick) as a roommate, and the two men become friends. Andrew and his girlfriend, who is also black, are determined to break into British high society, while Roddy drifts through an unsatisfactory relationship with Ethne Burrows (Hilary Heath). As Roddy pursues a new romance with Jane (Judy Greer), constant racism drives Andrew and his girlfriend to plan a return to Jamaica.

To save on expenses, advertising man Roddy Peter (Robin Phillips) takes in Jamaican lawyer Andrew (Hal Frederick) as a roommate, and the two men become friends. Andrew and his girlfriend, who is also black, are determined to break into British high society, while Roddy drifts through an unsatisfactory relationship with Ethne Burrows (Hilary Heath). As Roddy pursues a new romance with Jane (Judy Greer), constant racism drives Andrew and his girlfriend to plan a return to Jamaica.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

After losing his police officer lover, Christian drag queen Holiday Heart (Ving Rhames) meets 12-year-old Niki (Jessika Quynn Reynolds) and her drug-addicted mother, Wanda (Alfre Woodard). Heart finds relief from heartache and a renewed sense of purpose when he steps in as a father figure to Niki and welcomes the two women into his life. But when Wanda becomes romantically involved with her drug dealer, Silas, it may endanger Niki and threaten to destroy the makeshift family.

After losing his police officer lover, Christian drag queen Holiday Heart (Ving Rhames) meets 12-year-old Niki (Jessika Quynn Reynolds) and her drug-addicted mother, Wanda (Alfre Woodard). Heart finds relief from heartache and a renewed sense of purpose when he steps in as a father figure to Niki and welcomes the two women into his life. But when Wanda becomes romantically involved with her drug dealer, Silas, it may endanger Niki and threaten to destroy the makeshift family.

In 1982, Cuban political activist Nestor (Jimmy Smits) is ripped from the arms of his loving wife, Isabel (Greta Scacchi), and thrown in jail for dissidence. Frightened, Isabel flees with their daughter by sea to America. Off the coast of Florida, she meets Sam (Vincent D'Onofrio), a kind fisherman who sees them safely to Miami's Little Havana. Eight years later, Isabel is happy in the arms of Sam -- until a recently freed Nestor reaches Miami in hope of a romantic reunion.

In 1982, Cuban political activist Nestor (Jimmy Smits) is ripped from the arms of his loving wife, Isabel (Greta Scacchi), and thrown in jail for dissidence. Frightened, Isabel flees with their daughter by sea to America. Off the coast of Florida, she meets Sam (Vincent D'Onofrio), a kind fisherman who sees them safely to Miami's Little Havana. Eight years later, Isabel is happy in the arms of Sam -- until a recently freed Nestor reaches Miami in hope of a romantic reunion.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

When the loan business of her father, Andy (Rudy Challenger), is trashed by thugs looking to force a sale, Chicago private investigator Sheba Shayne (Pam Grier) travels back to her hometown of Louisville, Ky., to even the score. Together with old flame Brick Williams (Austin Stoker), she attacks the henchmen of local loan shark Pilot (D'Urville Martin), but a retaliation leaves Andy dead. Blind with rage, Sheba vows to take out Pilot's boss, mob kingpin Shark (Dick Merrifield).

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

Two Los Angeles private eyes (Bill Cosby, Robert Culp) find a missing woman and follow her to loot from a Pittsburgh bank.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

When the loan business of her father, Andy (Rudy Challenger), is trashed by thugs looking to force a sale, Chicago private investigator Sheba Shayne (Pam Grier) travels back to her hometown of Louisville, Ky., to even the score. Together with old flame Brick Williams (Austin Stoker), she attacks the henchmen of local loan shark Pilot (D'Urville Martin), but a retaliation leaves Andy dead. Blind with rage, Sheba vows to take out Pilot's boss, mob kingpin Shark (Dick Merrifield).

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

Two Los Angeles private eyes (Bill Cosby, Robert Culp) find a missing woman and follow her to loot from a Pittsburgh bank.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

When the loan business of her father, Andy (Rudy Challenger), is trashed by thugs looking to force a sale, Chicago private investigator Sheba Shayne (Pam Grier) travels back to her hometown of Louisville, Ky., to even the score. Together with old flame Brick Williams (Austin Stoker), she attacks the henchmen of local loan shark Pilot (D'Urville Martin), but a retaliation leaves Andy dead. Blind with rage, Sheba vows to take out Pilot's boss, mob kingpin Shark (Dick Merrifield).

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Leon Johnson (Leon Isaac Kennedy) is a boxer who plans to study medicine, but, with his ailing sister, Kelly (Nikki Swassy), in need of costly care, he decides to earn a living in the ring. His rise is rapid, but Leon's newly extravagant lifestyle threatens his relationship with girlfriend Julie (Jayne Kennedy). As Leon approaches the sport's highest echelons, he faces increasingly tough decisions that test his loyalty to his family and himself.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Hitchhiker Martel "Too Sweet" Gordone (Leon Isaac Kennedy) gets a lift from prostitute Linda (Hazel Spears) in her van and travels with her to meet her clients. After a fight breaks out with the men, Gordone is knocked unconscious and awakens to find he has been wrongly charged with murder. As a way to protect himself in prison, Gordone starts fighting other inmates. This leads him to discover an underground boxing tournament, with the top prize being a prison release.

Boxer "Too Sweet" Gordone (Leon Isaac Kennedy) tries keeping his nose clean after being paroled from prison. He could box, but he doesn't want to go back to that life. He works as a deliveryman instead, and starts seeing his old girlfriend, Clarisse (Eugenia Wright). But a psychotic criminal, Half Dead (Ernie Hudson), who was Gordone's enemy in prison, breaks out and kills Clarisse as payback. The murder forces Gordone back into the ring, and he is desperate to get revenge against Half Dead.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Leon Johnson (Leon Isaac Kennedy) is a boxer who plans to study medicine, but, with his ailing sister, Kelly (Nikki Swassy), in need of costly care, he decides to earn a living in the ring. His rise is rapid, but Leon's newly extravagant lifestyle threatens his relationship with girlfriend Julie (Jayne Kennedy). As Leon approaches the sport's highest echelons, he faces increasingly tough decisions that test his loyalty to his family and himself.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Hitchhiker Martel "Too Sweet" Gordone (Leon Isaac Kennedy) gets a lift from prostitute Linda (Hazel Spears) in her van and travels with her to meet her clients. After a fight breaks out with the men, Gordone is knocked unconscious and awakens to find he has been wrongly charged with murder. As a way to protect himself in prison, Gordone starts fighting other inmates. This leads him to discover an underground boxing tournament, with the top prize being a prison release.

Boxer "Too Sweet" Gordone (Leon Isaac Kennedy) tries keeping his nose clean after being paroled from prison. He could box, but he doesn't want to go back to that life. He works as a deliveryman instead, and starts seeing his old girlfriend, Clarisse (Eugenia Wright). But a psychotic criminal, Half Dead (Ernie Hudson), who was Gordone's enemy in prison, breaks out and kills Clarisse as payback. The murder forces Gordone back into the ring, and he is desperate to get revenge against Half Dead.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Leon Johnson (Leon Isaac Kennedy) is a boxer who plans to study medicine, but, with his ailing sister, Kelly (Nikki Swassy), in need of costly care, he decides to earn a living in the ring. His rise is rapid, but Leon's newly extravagant lifestyle threatens his relationship with girlfriend Julie (Jayne Kennedy). As Leon approaches the sport's highest echelons, he faces increasingly tough decisions that test his loyalty to his family and himself.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Hitchhiker Martel "Too Sweet" Gordone (Leon Isaac Kennedy) gets a lift from prostitute Linda (Hazel Spears) in her van and travels with her to meet her clients. After a fight breaks out with the men, Gordone is knocked unconscious and awakens to find he has been wrongly charged with murder. As a way to protect himself in prison, Gordone starts fighting other inmates. This leads him to discover an underground boxing tournament, with the top prize being a prison release.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

When a Western anthropologist, Robert (Richard Mulligan), brings his son, Kevin (John Philip Hogdon), to Kenya to document an eclipse and a remote Masai tribe's reaction to it, both father and son are in for a serious case of culture shock. Used to Western comforts, Kevin is at first hesitant and uncomfortable among the natives, but the English-speaking son of the tribe's chief, Nemolok (Johnny Sekka), helps familiarize Kevin with his culture, opening his eyes to a new way of life.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

When a Western anthropologist, Robert (Richard Mulligan), brings his son, Kevin (John Philip Hogdon), to Kenya to document an eclipse and a remote Masai tribe's reaction to it, both father and son are in for a serious case of culture shock. Used to Western comforts, Kevin is at first hesitant and uncomfortable among the natives, but the English-speaking son of the tribe's chief, Nemolok (Johnny Sekka), helps familiarize Kevin with his culture, opening his eyes to a new way of life.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

When a Western anthropologist, Robert (Richard Mulligan), brings his son, Kevin (John Philip Hogdon), to Kenya to document an eclipse and a remote Masai tribe's reaction to it, both father and son are in for a serious case of culture shock. Used to Western comforts, Kevin is at first hesitant and uncomfortable among the natives, but the English-speaking son of the tribe's chief, Nemolok (Johnny Sekka), helps familiarize Kevin with his culture, opening his eyes to a new way of life.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.