Hitchhiker Martel "Too Sweet" Gordone (Leon Isaac Kennedy) gets a lift from prostitute Linda (Hazel Spears) in her van and travels with her to meet her clients. After a fight breaks out with the men, Gordone is knocked unconscious and awakens to find he has been wrongly charged with murder. As a way to protect himself in prison, Gordone starts fighting other inmates. This leads him to discover an underground boxing tournament, with the top prize being a prison release.

Boxer "Too Sweet" Gordone (Leon Isaac Kennedy) tries keeping his nose clean after being paroled from prison. He could box, but he doesn't want to go back to that life. He works as a deliveryman instead, and starts seeing his old girlfriend, Clarisse (Eugenia Wright). But a psychotic criminal, Half Dead (Ernie Hudson), who was Gordone's enemy in prison, breaks out and kills Clarisse as payback. The murder forces Gordone back into the ring, and he is desperate to get revenge against Half Dead.

Leon Johnson (Leon Isaac Kennedy) is a boxer who plans to study medicine, but, with his ailing sister, Kelly (Nikki Swassy), in need of costly care, he decides to earn a living in the ring. His rise is rapid, but Leon's newly extravagant lifestyle threatens his relationship with girlfriend Julie (Jayne Kennedy). As Leon approaches the sport's highest echelons, he faces increasingly tough decisions that test his loyalty to his family and himself.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Hitchhiker Martel "Too Sweet" Gordone (Leon Isaac Kennedy) gets a lift from prostitute Linda (Hazel Spears) in her van and travels with her to meet her clients. After a fight breaks out with the men, Gordone is knocked unconscious and awakens to find he has been wrongly charged with murder. As a way to protect himself in prison, Gordone starts fighting other inmates. This leads him to discover an underground boxing tournament, with the top prize being a prison release.

Boxer "Too Sweet" Gordone (Leon Isaac Kennedy) tries keeping his nose clean after being paroled from prison. He could box, but he doesn't want to go back to that life. He works as a deliveryman instead, and starts seeing his old girlfriend, Clarisse (Eugenia Wright). But a psychotic criminal, Half Dead (Ernie Hudson), who was Gordone's enemy in prison, breaks out and kills Clarisse as payback. The murder forces Gordone back into the ring, and he is desperate to get revenge against Half Dead.

Leon Johnson (Leon Isaac Kennedy) is a boxer who plans to study medicine, but, with his ailing sister, Kelly (Nikki Swassy), in need of costly care, he decides to earn a living in the ring. His rise is rapid, but Leon's newly extravagant lifestyle threatens his relationship with girlfriend Julie (Jayne Kennedy). As Leon approaches the sport's highest echelons, he faces increasingly tough decisions that test his loyalty to his family and himself.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Hitchhiker Martel "Too Sweet" Gordone (Leon Isaac Kennedy) gets a lift from prostitute Linda (Hazel Spears) in her van and travels with her to meet her clients. After a fight breaks out with the men, Gordone is knocked unconscious and awakens to find he has been wrongly charged with murder. As a way to protect himself in prison, Gordone starts fighting other inmates. This leads him to discover an underground boxing tournament, with the top prize being a prison release.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Two men (Robert Urich, Carl Weathers) of different races, who loathe each other, escape from a chain gang shackled together.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

Lee Daniels (Pam Grier) is a black girl busted for prostitution. Karen Brent (Margaret Markov) is a white girl arrested for her involvement with a local revolutionary group. The two women meet in jail and, despite their mutual animosity, are chained together for transport to a maximum security prison. Their bus is ambushed en route, however, and the pair manages to escape together. Chased by bounty hunters, crooked police and revolutionaries, they struggle to get along and get away.

Two Los Angeles private eyes (Bill Cosby, Robert Culp) find a missing woman and follow her to loot from a Pittsburgh bank.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

Two men (Robert Urich, Carl Weathers) of different races, who loathe each other, escape from a chain gang shackled together.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

Lee Daniels (Pam Grier) is a black girl busted for prostitution. Karen Brent (Margaret Markov) is a white girl arrested for her involvement with a local revolutionary group. The two women meet in jail and, despite their mutual animosity, are chained together for transport to a maximum security prison. Their bus is ambushed en route, however, and the pair manages to escape together. Chased by bounty hunters, crooked police and revolutionaries, they struggle to get along and get away.

Two Los Angeles private eyes (Bill Cosby, Robert Culp) find a missing woman and follow her to loot from a Pittsburgh bank.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

Two men (Robert Urich, Carl Weathers) of different races, who loathe each other, escape from a chain gang shackled together.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

Lee Daniels (Pam Grier) is a black girl busted for prostitution. Karen Brent (Margaret Markov) is a white girl arrested for her involvement with a local revolutionary group. The two women meet in jail and, despite their mutual animosity, are chained together for transport to a maximum security prison. Their bus is ambushed en route, however, and the pair manages to escape together. Chased by bounty hunters, crooked police and revolutionaries, they struggle to get along and get away.

Two Los Angeles private eyes (Bill Cosby, Robert Culp) find a missing woman and follow her to loot from a Pittsburgh bank.

A veteran hit man, Dekker (Forest Whitaker) is ready to call it quits and leave the profession. Dekker's final job, however, proves to be trickier than expected when the sadistic Zidzyck (Lewis Smith) recruits the assassin to kill his wife, Jain (Sherilyn Fenn), along with the couple's baby. While Dekker has a change of heart and resolves not to shoot Jain and her child, his decision places all their lives in danger, since Zidzyck has dispatched another killer to perform the task.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs (Sidney Poitier) is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping - but not killing - the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs (Sidney Poitier) is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping - but not killing - the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs (Sidney Poitier) is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping - but not killing - the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize - a pimp called Gator (Paul Harris) - is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize - a pimp called Gator (Paul Harris) - is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize - a pimp called Gator (Paul Harris) - is killed while Turner is chasing hm. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses - and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses - and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses - and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life - until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin (Zero Mostel) spends his days caring for his ill wife (Ida Kaminska) and wishing for happiness. After Morris sees a man (Harry Belafonte) die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life - until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin (Zero Mostel) spends his days caring for his ill wife (Ida Kaminska) and wishing for happiness. After Morris sees a man (Harry Belafonte) die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life - until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

During the civil rights movement of the '50s and '60s in Mississippi, Medgar Evers (Howard E. Rollins Jr.) rose from being an insurance agent to become one of the most integral activists of the era. From boycotting white merchants in the mid '50s to being a key figure in desegregating the University of Mississippi in 1962, Evers met success, and with it many enemies. When racists swarm his house, his life and the lives of his wife (Irene Cara) and children are threatened.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

During the civil rights movement of the '50s and '60s in Mississippi, Medgar Evers (Howard E. Rollins Jr.) rose from being an insurance agent to become one of the most integral activists of the era. From boycotting white merchants in the mid '50s to being a key figure in desegregating the University of Mississippi in 1962, Evers met success, and with it many enemies. When racists swarm his house, his life and the lives of his wife (Irene Cara) and children are threatened.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

During the civil rights movement of the '50s and '60s in Mississippi, Medgar Evers (Howard E. Rollins Jr.) rose from being an insurance agent to become one of the most integral activists of the era. From boycotting white merchants in the mid '50s to being a key figure in desegregating the University of Mississippi in 1962, Evers met success, and with it many enemies. When racists swarm his house, his life and the lives of his wife (Irene Cara) and children are threatened.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.