An FBI agent (Beau Bridges) and a detective (Bubba Smith) tie ghetto drugs and mayhem to a colonel's (Lloyd Bridges) white supremacists.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

After being released from a Georgia prison, smooth-talking con man Gabriel Caine (James Woods) teams up with his partner in crime, Fitz (Oliver Platt), and travels to remote Diggstown. Upon arriving, Fitz and Caine bet the wealthiest resident, former boxing manager John Gillon (Bruce Dern), that they know a guy who can beat Diggstown's 10 best fighters in one day. After Caine reels in "Honey" Roy Palmer (Louis Gossett Jr.), an aging boxer and old acquaintance, the grift is on.

An FBI agent (Beau Bridges) and a detective (Bubba Smith) tie ghetto drugs and mayhem to a colonel's (Lloyd Bridges) white supremacists.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

After being released from a Georgia prison, smooth-talking con man Gabriel Caine (James Woods) teams up with his partner in crime, Fitz (Oliver Platt), and travels to remote Diggstown. Upon arriving, Fitz and Caine bet the wealthiest resident, former boxing manager John Gillon (Bruce Dern), that they know a guy who can beat Diggstown's 10 best fighters in one day. After Caine reels in "Honey" Roy Palmer (Louis Gossett Jr.), an aging boxer and old acquaintance, the grift is on.

An FBI agent (Beau Bridges) and a detective (Bubba Smith) tie ghetto drugs and mayhem to a colonel's (Lloyd Bridges) white supremacists.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancée, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in the 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancée, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in the 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancée, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in the 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, D'Angelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with D'Angelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, D'Angelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with D'Angelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, D'Angelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with D'Angelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Filipino gangsters hound a trio (James Iglehart, Shirley Washington, Chiquito) whose carved Buddha hides something to control the world.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Three women (Gloria Hendry, Cheri Caffaro, Rosanna Ortiz) of three races join the fundraising part of an island revolution.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses -- and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, D'Angelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with D'Angelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses -- and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, D'Angelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with D'Angelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses -- and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, D'Angelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with D'Angelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in the 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping -- but not killing -- the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in the 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping -- but not killing -- the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in the 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping -- but not killing -- the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize -- a pimp called Gator (Paul Harris) -- is killed while Turner is chasing him. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call-girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses -- and photographs -- an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize -- a pimp called Gator (Paul Harris) -- is killed while Turner is chasing him. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call-girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses -- and photographs -- an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

Bounty hunter Mack "Truck" Turner (Isaac Hayes) almost always finds his target, but his latest prize -- a pimp called Gator (Paul Harris) -- is killed while Turner is chasing him. Gator's girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call-girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn't going down easily.

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses -- and photographs -- an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin spends his days caring for his ill wife and wishing for happiness. After Morris sees a man die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

A convicted murderer leads a band of men through shark-infested waters in an attempt to escape the fortress prison.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.