Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) -- the man he has long been convinced is the murderer, but never had enough evidence to arrest -- intending to force a confession.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin (Zero Mostel) spends his days caring for his ill wife (Ida Kaminska) and wishing for happiness. After Morris sees a man (Harry Belafonte) die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin (Zero Mostel) spends his days caring for his ill wife (Ida Kaminska) and wishing for happiness. After Morris sees a man (Harry Belafonte) die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about -- black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin (Zero Mostel) spends his days caring for his ill wife (Ida Kaminska) and wishing for happiness. After Morris sees a man (Harry Belafonte) die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Based on the life of tap-dancing legend Bill Robinson -- also known as Mr. Bojangles -- the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Based on the life of tap-dancing legend Bill Robinson -- also known as Mr. Bojangles -- the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

As Gillespie (Carroll O'Connor) and Harriet prepare to leave for their honeymoon, Forbes (Carl Weathers) clashes with a charismatic cult leader (Peter Fonda) who has arrived in Sparta.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

As Gillespie (Carroll O'Connor) and Harriet prepare to leave for their honeymoon, Forbes (Carl Weathers) clashes with a charismatic cult leader (Peter Fonda) who has arrived in Sparta.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

As Gillespie (Carroll O'Connor) and Harriet prepare to leave for their honeymoon, Forbes (Carl Weathers) clashes with a charismatic cult leader (Peter Fonda) who has arrived in Sparta.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

Aspiring actor and hot-dog stand employee Bobby Taylor (Robert Townsend) catches the ire of his grandmother (Helen Martin) for auditioning for a role in the regrettably titled exploitation film Jivetime Jimmy's Revenge. When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother (Craigus R Johnson).

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life -- until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs (Sidney Poitier) is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping -- but not killing -- the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs (Sidney Poitier) is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping -- but not killing -- the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs (Sidney Poitier) is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping -- but not killing -- the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

In this sequel to "In The Heat of the Night," Detective Virgil Tibbs (Sidney Poitier) must solve the murder of a prostitute. The last person witnessed with the victim is Tibbs' friend, Logan Sharpe (Martin Landau), a preacher and activist. Despite his loyalty, Tibbs must investigate when Sharpe admits having visited the prostitute. In addition to his police work, Tibbs must also ease tension with his wife (Barbara McNair), who wants him to spend more time with her and their children.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

English engineer Jim Keogh (Michael Caine) and black anti-apartheid activist Shack Twala (Sidney Poitier) go on the run together in 1970s South Africa after falling foul of the police. Aided by Shack's lawyer, Rina (Prunella Gee), the two attempt to make their way to Cape Town where Shack hopes to return a diamond stash to the African National Congress and in turn seek help from the Congress' leader, Wilby (Joe De Graft). Unbeknownst to the pair, they are being followed.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses -- and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses -- and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.